10 Best Open Back Headphones for Mixing: The Ultimate Guide for Studio Professionals

As a professional audio engineer with over a decade of experience in studio environments, I've come to appreciate the immense value that a good pair of open back headphones brings to the mixing process.

When I first started my journey in audio production, I made the mistake of using closed-back consumer headphones, resulting in mixes that sounded completely different when played on other systems. That frustrating experience taught me an invaluable lesson about the importance of proper monitoring equipment.

Open back headphones have become my trusted companions in the studio, offering a level of sonic transparency and spatial accuracy that closed-back alternatives simply can't match.

Unlike their sealed counterparts, open back headphones allow air (and sound) to pass through the ear cups, creating a more natural, spacious soundstage that closely resembles the experience of listening to studio monitors in a well-treated room.

In this comprehensive guide, I'll share my personal experiences with the ten best open back headphones for mixing available in 2025. I've spent countless hours testing each model, evaluating them based on sound quality, comfort for long sessions, build durability, and value for money.

Whether you're a seasoned professional or just setting up your first home studio, this article will help you find the perfect pair of open back headphones to elevate your mixing game to new heights.

But before we dive into the reviews, let's explore why open back headphones are particularly well-suited for mixing and mastering tasks, and what specific features you should look for when making your selection.

Why Choose Open Back Headphones for Mixing?

When it comes to critical listening tasks like mixing and mastering, open back headphones offer several distinct advantages over closed-back designs:

Natural Soundstage

The open design creates a more spacious, three-dimensional sound image that helps you make better decisions about stereo placement, depth, and overall mix balance. This wider soundstage more closely resembles the experience of listening to studio monitors, making it easier to create mixes that translate well to different playback systems.

Reduced Ear Fatigue

I've found that open back designs generally cause less ear fatigue during extended mixing sessions. The breathable design prevents heat buildup around your ears, while the more natural sound presentation is less tiring on your auditory system. This has allowed me to work more effectively on projects requiring marathon mixing sessions.

Flatter Frequency Response

Many open back headphones designed for professional use offer a more neutral, accurate frequency response compared to consumer-oriented closed-back models. This accuracy is crucial for making informed mixing decisions, especially when it comes to EQ and dynamic processing.

Better Awareness of Room Acoustics

Since open back headphones don't completely isolate you from your environment, they allow you to maintain awareness of room acoustics and ambient sounds. This can be particularly useful when recording in a home studio environment where you might need to monitor both the recorded signal and your surroundings.

What to Look for in Open Back Headphones for Mixing

Before investing in open back headphones for mixing purposes, consider these key factors:

Frequency Response

For mixing, you want headphones with a relatively flat, neutral frequency response that doesn't artificially boost or cut certain frequency ranges. Look for models with a wide frequency range (ideally 5Hz to 40kHz or beyond) that accurately represent the entire audible spectrum.

Impedance and Sensitivity

Higher impedance headphones (250-600 ohms) often provide better detail and less distortion but require a dedicated headphone amplifier to reach their full potential. Lower impedance models (32-80 ohms) are more versatile and can be driven directly by audio interfaces, but may not offer the same level of detail. Choose based on your existing setup and budget.

Comfort for Long Sessions

Mixing often involves long hours of critical listening. Look for headphones with generous padding, adjustable headbands, and lightweight construction to minimize discomfort during extended sessions. I personally prefer velour or microfiber ear pads over synthetic leather options for better breathability.

Build Quality and Durability

Professional headphones are an investment. Look for models with replaceable parts (especially cables and ear pads), solid construction, and good warranty coverage. While plastic components can reduce weight, metal reinforcement in key stress areas improves longevity.

Price and Value

While premium headphones often justify their cost with superior performance, there are excellent options at various price points. Consider what fits your budget and professional needs, remembering that better headphones can lead to better mixes and potentially save you time and frustration.

Now, let's dive into the reviews of the 10 best open back headphones for mixing, starting with a comparison table to give you a quick overview.

Comparison Table: 10 Best Open Back Headphones for Mixing

Now, let's dive deeper into each model with my personal experiences and detailed reviews.

1. Sennheiser HD 800 S

Price: $1,599 | Check Price on Amazon

My Experience with the HD 800 S

When I first put on the Sennheiser HD 800 S, I was immediately struck by the incredible sense of space and detail. These headphones have fundamentally changed how I approach mixing. The soundstage is so expansive that it's almost like mixing on a pair of high-end studio monitors in a perfectly treated room. I can precisely place each instrument in the stereo field with confidence that my decisions will translate accurately to other playback systems.

The first time I used the HD 800 S to mix a complex orchestral arrangement, I was able to hear subtle details in the recording that were completely masked on other headphones. The string section sounded remarkably realistic, with each violin having its own distinct space in the mix. The clarity of transients is simply unmatched, allowing me to make precise decisions about attack and release times on compressors.

Technical Specifications

• Frequency Response: 4Hz-51kHz
• Impedance: 300 ohms
• Sensitivity: 102 dB/1V
• Weight: 330g
• Driver Size: 56mm ring radiator
• Connection: Detachable cable with 6.3mm jack (balanced XLR cable also included)

Design and Build Quality

The Sennheiser HD 800 S features a distinctive open-back design with large, microfiber ear pads that fully encompass your ears. The headband is generously padded and distributes the weight evenly, making these headphones comfortable even during eight-hour mixing sessions. The primarily plastic construction keeps the weight down, while strategic metal reinforcement ensures durability.

What truly sets the HD 800 S apart is Sennheiser's patented ring radiator driver system, which minimizes resonances and distortion while maximizing the size of the sound stage. The innovative absorber technology effectively dampens the "masking" resonance phenomenon that plagued the original HD 800, resulting in a smoother high-frequency response.

Sound Performance

The sonic performance of the HD 800 S is simply outstanding. The bass response extends deep while remaining tight and controlled, without the artificial boost found in consumer headphones. This accuracy is crucial for getting your low-end balance right—an area where many mixes fall short.

The midrange is exceptionally transparent, revealing every nuance in vocal performances and instrumental textures. This clarity makes it easy to identify problematic frequencies that need to be addressed with EQ. The high-frequency response is extended yet smooth, without the harshness that can lead to ear fatigue during long sessions.

Perhaps most impressive is the HD 800 S's ability to resolve spatial information. The soundstage is enormous, with precise imaging that allows you to hear exactly where each element sits in the mix. This spatial accuracy is invaluable for creating three-dimensional mixes with depth and width.

Pros and Cons

Pros:

• Unmatched soundstage width and accuracy
• Exceptional detail retrieval
• Extremely comfortable for long sessions
• Included balanced cable for compatible equipment
• Handcrafted in Germany with superior build quality

Cons:

• Premium price point puts it beyond many budgets
• Requires a quality headphone amplifier to reach full potential
• Some may find the sound somewhat analytical rather than engaging
• Large size may not suit all users

Best Suited For

The Sennheiser HD 800 S is ideal for professional mixing and mastering engineers who need the absolute best reference headphones available. They're particularly well-suited for those working with classical music, jazz, and other acoustic genres where spatial accuracy and detail are paramount. If you have the budget and appropriate amplification, these headphones represent the pinnacle of what's possible in monitoring technology.

Rating: 9.8/10

2. Beyerdynamic DT 1990 PRO

Price: $599 | Check Price on Amazon

My Experience with the DT 1990 PRO

The Beyerdynamic DT 1990 PRO has been my go-to headphone for mixing rock and electronic music for the past three years. What immediately impressed me about these headphones was their versatility—they come with two different sets of ear pads that significantly alter the sound signature. The "Analytical" pads provide a more neutral, reference-quality sound, while the "Balanced" pads offer a slightly warmer presentation with more prominent bass.

I've found the DT 1990 PRO particularly effective for identifying problematic resonances in the upper midrange—an area where many mixes can become harsh or fatiguing. The exceptional transient response makes them ideal for setting attack and release times on drums, allowing me to dial in the perfect amount of punch and impact.

Technical Specifications

• Frequency Response: 5Hz-40kHz
• Impedance: 250 ohms
• Sensitivity: 102 dB/1mW
• Weight: 370g
• Driver Size: 45mm Tesla neodymium
• Connection: Detachable cable with straight and coiled options, 3.5mm jack with 6.3mm adapter

Design and Build Quality

The Beyerdynamic DT 1990 PRO exudes German engineering excellence, with a robust metal headband and fork assembly that inspires confidence. The memory foam ear pads (both sets) are covered with velour, providing excellent comfort during long mixing sessions. The open-back design features precision-cut metal grilles that not only look premium but also protect the drivers.

One of my favorite aspects of these headphones is their serviceability—virtually every component is user-replaceable, from the ear pads to the headband padding and cables. This modularity ensures that your investment will last for many years, even with daily professional use.

Sound Performance

The sound signature of the DT 1990 PRO with the analytical pads is characterized by exceptional clarity and detail, with a slight emphasis in the upper midrange and high frequencies that reveals every flaw in your mix. This makes them particularly well-suited for critical listening tasks where you need to identify problematic frequencies.

The bass response is tight and controlled, extending deep without bloating. The midrange is remarkably transparent, allowing you to make confident decisions about balance and EQ. The high-frequency response is extended and detailed, though some users may find it slightly bright at first—I've found that this characteristic actually helps identify harshness in mixes before it becomes problematic on consumer systems.

With the balanced pads installed, the sound becomes slightly warmer and more forgiving, which I find useful when switching to a more creative mixing mindset or when working on genres that benefit from a touch of warmth.

Pros and Cons

Pros:

• Two sets of ear pads provide flexibility for different mixing scenarios
• Exceptional build quality with replaceable components
• Precise imaging and detailed sound
• Comfortable for extended sessions
• Made in Germany with premium materials

Cons:

• Some may find the treble slightly emphasized with analytical pads
• Heavier than some competitors
• Requires a good headphone amplifier for optimal performance
• Premium price point (though justified by the build quality and performance)

Best Suited For

The Beyerdynamic DT 1990 PRO is ideal for professional mixing engineers who work across multiple genres, particularly those mixing rock, electronic, and pop music where detailed high-frequency information is crucial. They're also excellent for mastering engineers who need to identify subtle issues in the upper frequency spectrum. If you appreciate German engineering and want headphones that will last for many years of professional use, these are an outstanding choice.

Rating: 9.6/10

3. Audio-Technica ATH-R70x

Price: $349 | Check Price on Amazon

My Experience with the ATH-R70x

The Audio-Technica ATH-R70x stands out for its incredibly light weight combined with serious professional performance. The first time I wore these during a full-day mixing session, I was amazed at how easily I forgot they were on my head. This comfort factor alone makes them worth considering, but their sonic performance is equally impressive.

I've found the ATH-R70x particularly excellent for mixing vocal-centric music. Their neutral midrange presentation allows me to hear every nuance in vocal performances, from subtle breath sounds to small pitch inconsistencies that might need correction. The balanced sound signature doesn't draw attention to any particular frequency range, making it easier to achieve a natural, transparent mix.

Technical Specifications

• Frequency Response: 5Hz-40kHz
• Impedance: 470 ohms
• Sensitivity: 99 dB/mW
• Weight: 210g
• Driver Size: 45mm
• Connection: Detachable dual-sided cable with 3.5mm connection and 6.3mm adapter

Design and Build Quality

The ATH-R70x features an innovative "3D wing support" headband system that automatically adjusts to your head shape, eliminating pressure points during long sessions. The featherlight construction uses carbon composite materials to achieve exceptional strength with minimal weight. The ear pads are covered with a breathable fabric that prevents heat buildup, further enhancing comfort.

The open-back design uses an acoustically transparent honeycomb mesh that provides minimal obstruction to the sound waves while protecting the drivers. The detachable cable connects to both ear cups, distributing the weight evenly and reducing strain on the connectors.

Sound Performance

The sonic signature of the ATH-R70x is remarkably neutral and balanced across the frequency spectrum. The bass is accurate and extended, without any artificial boost or bloat. This precision is essential for getting the low end right in your mixes, particularly when balancing kick drums and bass instruments.

The midrange is the standout feature, with exceptional clarity and detail that reveals every nuance in vocal performances and instrumental textures. The high frequencies are extended and airy without becoming harsh or fatiguing, allowing you to mix for hours without ear strain.

What particularly impresses me about these headphones is their ability to resolve complex mixes without becoming congested. Even when working with dense arrangements featuring dozens of tracks, each element maintains its distinct space and character in the mix.

Pros and Cons

Pros:

• Incredibly lightweight and comfortable for marathon sessions
• Exceptionally neutral frequency response
• Outstanding midrange clarity ideal for vocal-centric music
• Innovative headband design eliminates pressure points
• Excellent value for professional performance

Cons:

• High impedance (470 ohms) requires a good headphone amplifier
• Aesthetics might not appeal to all users
• Cable connects to both ear cups, which some users find less convenient
• Less bass impact than some competitors (though more accurate)

Best Suited For

The Audio-Technica ATH-R70x is perfect for mixing engineers who work long hours and prioritize comfort alongside professional performance. They're particularly well-suited for mixing vocal-centric genres like folk, acoustic, jazz, and classical music where midrange accuracy is crucial. If you're building a professional home studio and want headphones that disappear on your head while delivering exceptional sound quality, these should be at the top of your list.

Rating: 9.5/10

4. Sennheiser HD 650

Price: $399 | Check Price on Amazon

My Experience with the HD 650

The Sennheiser HD 650 has been my trusted companion for nearly a decade, and despite trying many newer models, I keep coming back to them for certain mixing tasks. There's something special about their midrange presentation that makes vocal and instrument balancing feel intuitive and natural.

I've mixed everything from intimate acoustic recordings to full orchestral arrangements on these headphones, and they've never let me down. What I appreciate most is their slightly warm character that prevents listening fatigue during long sessions while still revealing enough detail to make critical mixing decisions. When I need a "reality check" on a mix I'm working on, the HD 650s are often my first choice.

Technical Specifications

• Frequency Response: 10Hz-41kHz
• Impedance: 300 ohms
• Sensitivity: 103 dB/1V
• Weight: 260g
• Driver Size: 42mm dynamic, aluminum voice coil
• Connection: Detachable cable with 6.3mm connector

Design and Build Quality

The HD 650 features Sennheiser's classic oval ear cup design with plush velour pads that create an excellent seal without applying excessive pressure. The adjustable headband is padded with similar material, providing comfortable support during extended sessions. The construction uses high-quality plastic reinforced with metal in key stress points, balancing durability with comfortable weight.

One of the most appreciated aspects of the HD 650's design is its serviceability—virtually every component from the ear pads to the cable and even the drivers can be replaced, making these headphones a truly long-term investment. Mine have survived over 5,000 hours of use with only routine maintenance.

Sound Performance

The HD 650's sound signature features a slightly warm character with a subtle emphasis in the lower midrange that makes acoustic instruments and vocals sound natural and engaging. The bass response is accurate and extended, though not quite as detailed as some newer models in the low sub-bass region.

The midrange is where these headphones truly shine, with a rich, natural presentation that makes it easy to judge vocal levels and instrumental balance. The high frequencies are smooth and detailed, though slightly recessed compared to ultra-analytical headphones like the HD 800 S. This characteristic actually helps prevent ear fatigue during long mixing sessions while still providing enough detail for critical decisions.

The soundstage is impressively wide for headphones in this price range, with good instrument separation that helps identify elements that might be masking each other in a dense mix. The imaging is precise enough to make confident panning decisions that translate well to speakers.

Pros and Cons

Pros:

• Natural, fatigue-free sound signature ideal for long sessions
• Exceptional midrange clarity perfect for vocal-centric music
• Comfortable velour pads and moderate weight
• Fully serviceable with replaceable parts
• Proven reliability over decades of professional use

Cons:

• Requires a good headphone amplifier to perform optimally
• Not as detailed in the extreme high and low frequencies as premium models
• Slightly loose bass compared to planar magnetic alternatives
• Plastic construction may feel less premium than metal competitors

Best Suited For

The Sennheiser HD 650 is perfect for mixing engineers who work across multiple genres and need a versatile, reliable reference with a natural sound signature. They're particularly well-suited for mixing vocal-centric music, acoustic recordings, and any genre where midrange balance is critical. If you're looking for a workhorse headphone that has proven itself in professional environments for decades, the HD 650 remains an excellent choice even among newer competitors.

Rating: 9.3/10

5. Shure SRH1840

Price: $499 | Check Price on Amazon

My Experience with the SRH1840

The Shure SRH1840 has become my preferred headphone for extended mastering sessions where comfort is just as important as sound quality. The first thing that struck me about these headphones was their incredible lightness and the way the ear pads seem to disappear against your head, even after hours of use.

I've found the SRH1840 particularly effective for identifying subtle issues with dynamic range and compression settings. Their quick transient response and even-handed presentation make it easy to hear when a compressor is working too hard or when transients are being unnecessarily squashed. This has helped me create masters with better punch and dynamics while maintaining appropriate loudness levels.

Technical Specifications

• Frequency Response: 10Hz-30kHz
• Impedance: 65 ohms
• Sensitivity: 96 dB/mW
• Weight: 268g
• Driver Size: 40mm neodymium
• Connection: Detachable dual-entry cables with gold-plated MMCX connectors and 3.5mm plug with 6.3mm adapter

Design and Build Quality

The SRH1840 features an elegant, minimalist design with a lightweight metal headband and yokes that provide excellent durability without adding unnecessary weight. The ear cups are covered with plush velour pads that create a comfortable seal while allowing enough airflow to prevent heat buildup. The dual-sided detachable cable system uses high-quality MMCX connectors that provide secure connections while allowing easy replacement if needed.

Shure's attention to detail is evident in the premium materials used throughout, from the stainless steel grilles protecting the drivers to the aircraft-grade aluminum alloy yokes. The package includes a second set of ear pads and an additional cable, further enhancing the value proposition.

Sound Performance

The sound signature of the SRH1840 is remarkably balanced and neutral, with excellent extension at both ends of the frequency spectrum. The bass response is tight and controlled, with enough presence to evaluate low-end balance without any artificial boost. This accuracy is crucial for making critical decisions about bass levels that will translate well across different playback systems.

The midrange is exceptionally transparent, with a slight forwardness that helps vocals and lead instruments cut through the mix without becoming harsh. The high frequencies are extended and detailed, with a silky smoothness that prevents fatigue during long sessions while still revealing problems like excessive sibilance or harshness.

What particularly impresses me about the SRH1840 is its dynamic responsiveness—these headphones effortlessly handle both subtle dynamic nuances and dramatic shifts in volume, making them excellent for evaluating dynamic range compression and ensuring that quiet passages remain clear while loud sections maintain impact.

Pros and Cons

Pros:

• Exceptional comfort for marathon mixing/mastering sessions
• Well-balanced, neutral sound signature
• Excellent transient response for evaluating dynamics
• Premium build quality with replaceable components
• Lower impedance works well with a wider range of equipment

Cons:

• Less expansive soundstage than some competitors
• Bass lacks the last bit of extension in the sub-bass region
• Premium price point
• Less efficient than some alternatives, requiring more amplification

Best Suited For

The Shure SRH1840 is ideal for mastering engineers and mixing professionals who spend long hours fine-tuning their work and need headphones that won't cause fatigue—either sonic or physical. They're particularly well-suited for genres that benefit from careful dynamic treatment, such as classical, jazz, and acoustic recordings. If comfort is a top priority alongside professional sound quality, these headphones should be at the top of your consideration list.

Rating: 9.2/10

6. AKG K712 Pro

Price: $349 | Check Price on Amazon

My Experience with the K712 Pro

The AKG K712 Pro has consistently impressed me with its expansive soundstage and spatial accuracy. The first time I used these headphones to mix a live band recording, I was struck by how easily I could visualize the placement of each instrument on the virtual stage. This spatial clarity has made them my preferred choice for mixing projects that rely heavily on creating an immersive, three-dimensional sound field.

I've found the K712 Pro particularly valuable for working with binaural recordings and immersive audio formats, as they translate spatial cues more effectively than many competitors. When mixing orchestral pieces, the ability to accurately place each instrument section in the sound field has helped me create mixes with exceptional depth and realism.

Technical Specifications

• Frequency Response: 10Hz-39.8kHz
• Impedance: 62 ohms
• Sensitivity: 105 dB/V
• Weight: 235g
• Driver Size: 45mm
• Connection: Detachable cable with mini-XLR connector and 3.5mm plug with 6.3mm adapter

Design and Build Quality

The K712 Pro features AKG's distinctive headband design with a leather strap suspended below a metal frame, which automatically adjusts to your head shape and distributes weight evenly. The large, circular ear cups are covered with soft memory foam pads wrapped in velour, creating a comfortable seal that's suitable for long sessions. The open-back design uses a fine mesh grille that allows excellent airflow while protecting the drivers.

The build quality combines lightweight plastics with metal reinforcement in key areas, balancing durability with comfort. The detachable cable connects via a mini-XLR connector that locks securely while allowing easy replacement if needed. The package includes both straight and coiled cables, enhancing versatility for different studio setups.

Sound Performance

The defining characteristic of the K712 Pro is its remarkably wide and deep soundstage, which creates an immersive listening experience that's closer to monitors than typical headphones. This spatial quality makes it easier to make accurate decisions about panning, reverb depth, and other spatial effects.

The frequency response is generally neutral with a slight emphasis in the upper midrange that enhances detail and clarity. The bass extends deep with good definition, though it's slightly less impactful than some competitors. The midrange is transparent and detailed, revealing subtle nuances in vocal performances and instrumental textures. The high frequencies are extended and airy, with excellent detail that helps identify issues like excessive sibilance or harshness.

Dynamic response is another strength, with excellent handling of both micro-dynamics (small variations in level) and macro-dynamics (large shifts in volume). This quality is particularly valuable when mixing genres with wide dynamic range, such as classical music or film scores.

Pros and Cons

Pros:

• Exceptional soundstage width and depth
• Lightweight and comfortable for long sessions
• Good transient response for evaluating dynamics
• Lower impedance works well with a variety of equipment
• Included accessories enhance value

Cons:

• Slightly lean bass response might not suit all genres
• Not as durable as some premium competitors
• Cable connection can be prone to wear over time
• Some find the headband design uncomfortable for certain head shapes

Best Suited For

The AKG K712 Pro is ideal for mixing engineers who work with spatial audio formats, orchestral recordings, live performances, and any project where accurate representation of the stereo field is critical. They're particularly well-suited for mixing film scores, game audio, and other immersive content where three-dimensional positioning is important. If you prioritize soundstage and spatial accuracy in your mixing work, these headphones offer exceptional performance at a reasonable price point.

Rating: 9.0/10

7. HIFIMAN Sundara

Price: $299 | Check Price on Amazon

My Experience with the Sundara

The HIFIMAN Sundara introduced me to the world of planar magnetic headphones, and the experience was revelatory. The first time I used them to mix a bass-heavy electronic track, I was amazed by the clarity and definition in the low end—I could hear subtle details in the bass synths that were masked or smeared on dynamic driver headphones.

What has impressed me most about the Sundara is the speed and accuracy of the drivers. Transients are reproduced with startling precision, making it much easier to set attack and release times on compressors and to evaluate the impact of percussion instruments. This quality has made them invaluable for mixing genres that rely heavily on rhythmic elements, from electronic dance music to complex progressive rock.

Technical Specifications

• Frequency Response: 6Hz-75kHz
• Impedance: 37 ohms
• Sensitivity: 94 dB/mW
• Weight: 372g
• Driver Type: Planar magnetic
• Connection: Detachable cable with 3.5mm connectors and 6.3mm adapter

Design and Build Quality

The Sundara features a minimalist design with circular ear cups suspended from a lightweight metal headband. The ear pads are covered with hybrid materials—perforated leatherette on the outer ring and soft fabric on the inner surface that contacts your ears. This combination provides good isolation while maintaining comfort during long sessions.

The build quality is impressive for the price point, with an aluminum frame and yokes that provide durability without excessive weight. The detachable cables connect via standard 3.5mm plugs, making replacements easy to find if needed. The open-back design uses a protective grille that allows excellent airflow while shielding the delicate planar magnetic drivers.

Sound Performance

The Sundara's sound signature is characterized by exceptional speed, detail, and linearity across the frequency spectrum. The bass response extends remarkably low with outstanding definition and texture, allowing you to hear subtle nuances in bass instruments that might be missed on dynamic driver headphones. This clarity is invaluable for achieving the perfect balance in the low end—often one of the most challenging aspects of mixing.

The midrange is neutral and transparent, with excellent resolution of complex harmonics in instruments like pianos and guitars. Vocal reproduction is natural and detailed, making it easy to evaluate the effectiveness of processing like compression and EQ. The high frequencies are extended and airy, with a smooth character that avoids the harshness sometimes associated with planar magnetic designs.

What truly sets the Sundara apart is its outstanding transient response and ability to resolve complex passages without congestion. Even when mixing dense arrangements with dozens of tracks, each element maintains its distinct character and space in the soundstage, making it easier to achieve clarity and separation in your mixes.

Pros and Cons

Pros:

• Exceptional speed and accuracy typical of planar magnetic technology
• Outstanding bass definition and extension
• Excellent resolution of fine details
• Comfortable for extended sessions
• Impressive value for the technology and performance

Cons:

• Requires more power than typical dynamic headphones
• Not as wide a soundstage as some premium open-backs
• Build quality, while good, doesn't match premium competitors
• Some users report quality control inconsistencies

Best Suited For

The HIFIMAN Sundara is ideal for mixing engineers working with bass-heavy genres like electronic music, hip-hop, and modern rock, where accurate reproduction of low frequencies is critical. They're also excellent for any project that benefits from precise transient reproduction, such as percussive music or complex arrangements with multiple layered elements. If you're curious about planar magnetic technology but don't want to invest in flagship models, the Sundara offers an accessible entry point with genuinely professional performance.

Rating: 8.9/10

8. Philips Fidelio X2HR

Price: $149 | Check Price on Amazon

My Experience with the Fidelio X2HR

The Philips Fidelio X2HR surprised me with its performance-to-price ratio. When I first used these headphones to check a mix I'd been working on with much more expensive equipment, I was impressed by how many of the same elements I could hear and evaluate effectively. They've since become my recommended entry point for students and home studio owners looking to step up their mixing game without breaking the bank.

I've found the X2HR particularly useful for rough mixing and arrangement work. The slightly enhanced bass and treble create an engaging listening experience that helps maintain creativity during the early stages of production, while still providing enough accuracy to make informed decisions. When switching to these headphones after hours on more analytical models, I often notice new creative possibilities in my projects.

Technical Specifications

• Frequency Response: 5Hz-40kHz
• Impedance: 30 ohms
• Sensitivity: 100 dB/mW
• Weight: 380g
• Driver Size: 50mm neodymium
• Connection: Detachable cable with 3.5mm plug and 6.3mm adapter

Design and Build Quality

The Fidelio X2HR features a distinctive design with large, circular ear cups suspended from a self-adjusting hammock headband. The ear pads are generously sized and covered with velour material, creating a comfortable seal around your ears while allowing enough airflow to prevent heat buildup. The open-back design uses a fine mesh grille that provides minimal obstruction to sound waves while protecting the drivers.

The build quality is impressive for the price point, with a combination of metal and high-quality plastics that feels substantial without becoming too heavy. The detachable cable connects via a standard 3.5mm plug, making replacements easy to find if needed. The inclusion of a cable clip and 6.3mm adapter enhances versatility for different studio setups.

Sound Performance

The sound signature of the X2HR features a slight V-shape, with enhanced bass and treble that creates an engaging, lively presentation while maintaining enough neutrality for effective mixing work. The bass is full and impactful, extending deep with good definition—though not as tight as more expensive reference headphones. This character makes them particularly enjoyable for initial creative work while still revealing enough detail to make informed decisions.

The midrange is clear and detailed, with good resolution of vocal textures and instrumental harmonics, though slightly recessed compared to strict reference headphones. The high frequencies are extended and detailed, with a slight emphasis that helps identify issues like excessive sibilance without becoming harsh or fatiguing.

The soundstage is impressively wide for headphones in this price range, with good separation between instruments that helps identify masking issues in dense arrangements. While not as precise as premium models, the imaging is accurate enough to make confident decisions about stereo placement and panning.

Pros and Cons

Pros:

• Exceptional value for money
• Comfortable for extended sessions
• Engaging sound signature maintains creativity
• Low impedance works well with most equipment
• Detachable cable enhances longevity

Cons:

• Not as neutral as dedicated reference headphones
• Bass could be tighter for critical low-end mixing
• Heavier than some competitors
• Ear pads may require replacement sooner than premium models

Best Suited For

The Philips Fidelio X2HR is ideal for home studio owners, students, and budget-conscious professionals looking for a versatile headphone that balances enjoyable listening with mixing capability. They're particularly well-suited for those in the early stages of building their studio who need one good pair of headphones for both production and critical listening. If you're working primarily with rock, pop, electronic, or hip-hop genres where a slightly enhanced low end is beneficial, these headphones offer remarkable performance for the price.

Rating: 8.7/10

9. Grado SR325e

Price: $295 | Check Price on Amazon

My Experience with the SR325e

The Grado SR325e presents a unique perspective in the mixing world with its distinctive sound signature. The first time I used these headphones to check a guitar-heavy rock mix, I was struck by the incredible presence and detail in the midrange—suddenly, small issues with guitar tones and distortion characteristics became immediately apparent.

I've come to appreciate the SR325e as a specialized tool in my mixing arsenal, particularly for rock, blues, and acoustic genres where midrange accuracy is paramount. When I'm struggling to get guitars to sit properly in a mix or dealing with problematic vocal resonances, switching to these headphones often provides the clarity and perspective I need to solve the issue quickly.

Technical Specifications

• Frequency Response: 18Hz-24kHz
• Impedance: 32 ohms
• Sensitivity: 99.8 dB/1mW
• Weight: 340g
• Driver Type: Dynamic, 44mm
• Connection: Fixed cable with 6.3mm connector (3.5mm adapter included)

Design and Build Quality

The SR325e features Grado's iconic design with circular ear cups made of metal (unlike the plastic used in lower models), giving them a distinctive industrial appearance and enhanced resonance control. The ear pads use Grado's signature foam material that sits on the ear rather than around it—a polarizing design that some users love for its openness while others find less comfortable for long sessions.

The build quality has an artisanal character reflecting Grado's Brooklyn workshop origins, with hand-assembled components that prioritize sound quality over luxurious aesthetics. The fixed cable is thick and durable, though the lack of detachability is a drawback for long-term maintenance. The leather headband provides adequate support, though with minimal padding compared to some competitors.

Sound Performance

The sound signature of the SR325e is immediately distinctive, with an emphasized upper midrange that brings guitars, vocals, and brass instruments forward in the mix with startling clarity. This character makes these headphones exceptionally revealing of midrange problems that might go unnoticed on other equipment—valuable for ensuring that the most important elements in many genres cut through properly.

The bass response is tight and controlled, though not as extended or impactful as some competitors. This leaner low end actually helps focus attention on midrange clarity, which can be beneficial when working on guitar tones, vocal articulation, and instrumental textures. The high frequencies are detailed and extended, with a forward presentation that ruthlessly reveals any harshness or sibilance in your mix.

The soundstage is intimate rather than expansive, creating a direct, immediate presentation that helps identify issues with presence and clarity. While not ideal for evaluating spatial effects like reverb depth, this quality is excellent for ensuring that lead elements have sufficient impact and definition.

Pros and Cons

Pros:

• Exceptional midrange clarity and detail
• Ruthlessly revealing of problems in vocal and guitar recordings
• Handmade in Brooklyn with distinctive character
• Low impedance works well with most equipment
• Unique perspective valuable as a complementary reference

Cons:

• On-ear design can be uncomfortable for long sessions
• Fixed cable limits long-term serviceability
• Bass lacks extension compared to alternatives
• Polarizing aesthetic and comfort

Best Suited For

The Grado SR325e is ideal for mixing engineers working with rock, folk, blues, jazz, and acoustic genres where midrange accuracy is crucial. They're particularly valuable as a secondary reference to check midrange clarity and presence after doing most of your mixing on more neutral headphones. If you work extensively with guitars, vocals, and other midrange-dominant instruments, these headphones offer a unique perspective that can help identify and solve problems that might be missed on other equipment.

Rating: 8.5/10

10. Beyerdynamic DT 990 Pro

Price: $159 | Check Price on Amazon

My Experience with the DT 990 Pro

The Beyerdynamic DT 990 Pro was my first pair of professional headphones when I was starting out, and they taught me what to listen for in a mix. Years later, I still keep a pair in my studio for their unique perspective and as a reference for how many consumer systems might emphasize certain frequencies.

I've found the DT 990 Pro particularly useful for checking how mixes will translate to systems with enhanced high frequencies. Their revealing (some might say bright) treble response quickly identifies problems like excessive sibilance or harshness that might become fatiguing on consumer systems. While I wouldn't use them as my only reference, they've saved many mixes from having problematic high-frequency issues.

Technical Specifications

• Frequency Response: 5Hz-35kHz
• Impedance: 250 ohms (also available in 80 ohm version)
• Sensitivity: 96 dB/mW
• Weight: 250g
• Driver Size: 45mm dynamic
• Connection: Fixed coiled cable with 3.5mm plug and 6.3mm adapter

Design and Build Quality

The DT 990 Pro features a robust design with a spring steel headband covered in leatherette padding and large circular ear cups with velour pads. The open-back design uses a fine mesh grille that provides minimal obstruction to sound waves while protecting the drivers. Despite being primarily plastic, the construction feels solid and has proven durable over many years of professional use.

The comfort level is high thanks to the soft velour ear pads and moderate clamping force, though the headband padding could be more generous for longer sessions. The fixed coiled cable is durable but limits flexibility compared to models with detachable options. The included soft case provides basic protection for transport between studios.

Sound Performance

The sound signature of the DT 990 Pro features a distinct "V-shape" with enhanced bass and treble. The bass is full and impactful, extending deep with good power—though not as tight and controlled as more expensive reference headphones. This characteristic can be useful for ensuring that bass elements have sufficient presence without becoming overwhelming.

The midrange is clear and detailed, though somewhat recessed compared to the bass and treble. This quality can actually be beneficial for checking if vocal and lead instrument clarity is maintained even when competing with enhanced low and high frequencies—a common scenario in consumer playback systems.

The high frequencies are significantly emphasized, revealing every detail (and potential problem) in the upper registers. While this can initially seem excessive, it's valuable for identifying issues that might become fatiguing on consumer systems with similar treble emphasis. Learning to calibrate your decisions based on this characteristic is an important skill that many engineers develop with these headphones.

Pros and Cons

Pros:

• Affordable entry into professional-grade headphones
• Comfortable velour pads suitable for long sessions
• Revealing high-frequency response identifies potential problems
• Durable construction proven over decades of professional use
• Made in Germany with good quality control

Cons:

• Fixed cable limits long-term serviceability
• Treble emphasis can be fatiguing and requires calibration
• 250-ohm version requires a good headphone amplifier
• V-shaped signature less neutral than ideal for critical mixing

Best Suited For

The Beyerdynamic DT 990 Pro is ideal for beginners and students entering the world of audio production who need an affordable yet genuinely professional tool. They're also valuable as a secondary reference for experienced engineers to check how mixes might translate to consumer systems with enhanced highs. If you're establishing your first proper home studio and need reliable headphones that will help you learn what to listen for, these time-tested classics remain an excellent choice.

Rating: 8.4/10

Open Back vs Closed Back Headphones for Mixing

Before making your final decision, it's important to understand the fundamental differences between open-back and closed-back headphones and why the former is generally preferred for mixing purposes.

Open-Back Headphones

Natural Soundstage: Open-back designs allow air to flow freely through the ear cups, creating a more spacious, three-dimensional sound image that closely resembles the experience of listening to studio monitors. This wider soundstage helps you make better decisions about stereo placement, depth, and overall mix balance.

Reduced Ear Fatigue: The open design prevents pressure buildup and allows heat to dissipate, resulting in greater comfort during long mixing sessions. Additionally, the more natural sound presentation is less tiring on your auditory system.

Flatter Frequency Response: Open-back designs typically offer a more neutral frequency response with less artificial bass boost, providing a more accurate reference for making EQ decisions.

More Accurate Bass: Without the resonance and pressure buildup of closed-back designs, open-back headphones generally produce more accurate, better-defined bass that helps you make better decisions about low-end balance.

Closed-Back Headphones

While open-back headphones excel for mixing, closed-back models have their place in the production workflow:

Recording Situations: When tracking instruments or vocals, closed-back headphones prevent sound from bleeding into microphones.

Noisy Environments: In loud environments, closed-back designs provide isolation that helps you focus on your work without distraction.

Portable Monitoring: When you need to check mixes on the go or in unpredictable acoustic environments, closed-back headphones provide consistency.

Bass-Heavy Genres: For certain EDM and hip-hop productions, the enhanced bass response of some closed-back models can help ensure that beats hit hard enough on consumer systems.

In an ideal scenario, a professional studio would have both types available—open-back headphones for critical mixing and mastering tasks, and closed-back models for recording and checking mixes in challenging environments.

How to Get the Most from Your Open Back Headphones

Investing in quality open back headphones is just the first step. Here are some essential tips to ensure you get the most accurate results from your new mixing tools:

Use a Quality Headphone Amplifier

Many professional open back headphones, especially high-impedance models like the Beyerdynamic DT 990 Pro (250Ω) or Audio-Technica ATH-R70x (470Ω), require more power than a typical audio interface or consumer device can provide. A dedicated headphone amplifier ensures:

• Sufficient volume without distortion
• Better control of bass response
• Improved dynamic range and detail
• Proper damping factor for tighter sound

I recommend the Schiit Magni for budget-conscious users or the SPL Phonitor X for professionals seeking the absolute best performance.

Consider Headphone Calibration Software

Even the best open back headphones have some coloration. Calibration software like Sonarworks SoundID Reference or dSONIQ Realphones can compensate for these irregularities, providing a more neutral response. These tools:

• Flatten frequency response anomalies
• Simulate the response of specific studio monitors
• Emulate different listening environments
• Provide consistency across different headphone models

Develop a Reference System

Build a library of professionally mixed reference tracks that you know well and listen to them regularly on your new headphones. This practice helps you:

• Understand how great mixes translate to your headphones
• Identify the sonic signature of your specific model
• Develop mental compensation for any coloration
• Make more confident mixing decisions

Use Multiple Reference Points

Never rely solely on headphones for critical mixing decisions. Alternate between:

• Open back headphones for detail work
• Studio monitors for overall balance and spatial relationships
• Consumer systems to check translation
• Car audio systems to test real-world performance

This multi-reference approach ensures your mixes will sound good on a wide variety of playback systems.

Take Regular Breaks

Even the most comfortable open back headphones can cause listening fatigue over time. To maintain perspective:

• Follow the 60-minute rule—take at least a 5-minute break every hour
• Alternate between headphones and monitors
• Listen at moderate volumes to protect your hearing
• Step away completely when making major mix decisions

How to Choose the Right Open Back Headphones for Your Needs

With so many excellent options available, selecting the right open back headphones for your specific situation requires careful consideration of several factors:

Budget Considerations

Professional open back headphones range from around $150 to $1,600+. While premium models offer superior performance, significant improvements are available at each price tier:

Entry-Level ($150-250): The Beyerdynamic DT 990 Pro and Philips Fidelio X2HR provide genuine professional capability at accessible prices. These are ideal for beginners and home studio owners making their first serious investment in monitoring equipment.

Mid-Range ($250-500): The Audio-Technica ATH-R70x, AKG K712 Pro, and HIFIMAN Sundara offer significant upgrades in accuracy, detail, and comfort. This range represents the sweet spot for many working professionals who need serious performance without breaking the bank.

High-End ($500-1,000): The Beyerdynamic DT 1990 PRO and Shure SRH1840 provide exceptional accuracy and build quality suitable for daily professional use. These models offer refinements in every aspect of performance that can justify the investment for career audio professionals.

Premium ($1,000+): The Sennheiser HD 800 S represents the pinnacle of headphone technology, offering unmatched detail and spatial accuracy. This investment makes sense for mastering engineers and professionals whose livelihood depends on hearing every nuance in a mix.

I've found that most mixing engineers experience significant improvements when moving from consumer headphones to the entry-level professional range, with diminishing (but still meaningful) returns as you move up the price ladder.

Studio Setup Compatibility

Consider your existing equipment when choosing open back headphones:

Impedance Matching: Higher impedance headphones (250-600Ω) typically offer better detail and control but require a dedicated headphone amplifier. Lower impedance models (32-80Ω) can be driven directly by most audio interfaces and consumer devices.

Connection Types: Some professional setups use balanced connections for improved performance. If your system supports balanced operation, models like the Sennheiser HD 800 S that include balanced cables may offer advantages.

Monitoring Controller Integration: If you use a monitor controller with multiple headphone outputs, ensure it can drive your chosen headphones effectively, particularly higher impedance models.

Genre Specialization

Different headphone models have strengths that align with particular musical genres:

Classical, Jazz, and Acoustic Music: The Sennheiser HD 800 S and AKG K712 Pro excel with these genres due to their expansive soundstage and detailed midrange, which accurately represent the natural acoustics and subtle dynamics these styles demand.

Rock and Pop: The Beyerdynamic DT 1990 PRO and Shure SRH1840 provide the midrange clarity and dynamic punch needed to balance dense arrangements and ensure vocals cut through appropriately.

Electronic and Hip-Hop: The HIFIMAN Sundara and Beyerdynamic DT 990 Pro offer the extended bass response and transient speed necessary to evaluate beat production and synthesized elements effectively.

Film Scoring and Game Audio: The Sennheiser HD 800 S and AKG K712 Pro's wide soundstage makes them ideal for spatial audio work, helping ensure proper placement in surround and immersive formats.

Physical Comfort and Fit

Since mixing often involves extended sessions, comfort is a crucial consideration:

Weight: Lighter headphones like the Audio-Technica ATH-R70x (210g) cause less fatigue during long sessions compared to heavier models like the HIFIMAN Sundara (372g).

Pad Material: Velour pads (found on Sennheiser and Beyerdynamic models) provide better breathability for extended use, while hybrid materials (like those on the HIFIMAN Sundara) offer a balance of isolation and comfort.

Clamping Force: Models like the Shure SRH1840 and AKG K712 Pro feature moderate clamping force suitable for long sessions, while others may require a break-in period to reduce initial pressure.

Head Size Accommodation: Ensure your chosen model accommodates your specific head size—some designs work better for larger heads (like the Beyerdynamic DT series), while others (like the Grado SR325e) may feel tight on larger craniums.

Durability and Serviceability

Professional headphones should be viewed as long-term investments:

Replaceable Components: Models with user-replaceable parts like ear pads, cables, and headbands (such as the Beyerdynamic DT series and Sennheiser HD 650) offer better long-term value despite higher initial costs.

Build Materials: Metal components in stress points (as found in the Beyerdynamic DT 1990 PRO and Shure SRH1840) typically outlast all-plastic construction, though they may add weight.

Manufacturer Support: Brands like Beyerdynamic, Sennheiser, and Audio-Technica maintain extensive service networks and parts availability for professional models, extending the useful life of your investment.

Warranty Coverage: Professional models typically offer longer warranty periods—the Shure SRH1840 comes with a two-year warranty, while some premium models offer extended coverage when registered.

Frequently Asked Questions About Open Back Headphones for Mixing

After years of advising fellow audio professionals on headphone selection, I've encountered certain questions repeatedly. Here are straightforward answers to the most common inquiries:

Can I use open back headphones for recording?

You can, but it's not ideal. The sound leakage from open back designs can be picked up by sensitive microphones, potentially contaminating your recordings. For tracking and recording, closed-back headphones are strongly recommended. Save your open back headphones for mixing and mastering stages.

Do I really need an amplifier for my open back headphones?

It depends on the impedance and sensitivity of your specific model. High impedance headphones (250Ω+) like the Beyerdynamic DT 1990 PRO definitely benefit from a dedicated amplifier. Even lower impedance models often sound better with proper amplification, revealing more detail and offering better dynamic range. If you're investing in professional headphones, budgeting for appropriate amplification is strongly recommended.

How do open back headphones compare to studio monitors for mixing?

While well-designed open back headphones can provide excellent detail and accuracy, they present a different listening experience than properly positioned monitors in an acoustically treated room. Headphones eliminate room acoustics from the equation, which can be both an advantage (in untreated spaces) and a limitation (for evaluating how sound interacts with a space). Ideally, professional mixing involves both headphones and monitors to gain complementary perspectives on your mix.

How long should open back headphones last?

With proper care, professional open back headphones can last 10+ years of regular use. Models with replaceable components like the Beyerdynamic DT series and Sennheiser HD 650 can extend their useful life even further through periodic part replacement. The drivers themselves rarely fail unless subjected to excessive volume or physical damage.

Can I use open back headphones in noisy environments?

Not effectively. The open design that creates their natural soundstage also allows environmental noise to enter freely. This makes them poorly suited for mixing on public transportation, in coffee shops, or other noisy locations. They're designed primarily for quiet studio environments where their sonic advantages can be fully appreciated.

How do I maintain my open back headphones?

Keep them clean by gently wiping ear pads with a slightly damp cloth and storing them on a headphone stand when not in use. Replace ear pads when they begin to deteriorate (typically every 1-2 years with heavy use). Avoid exposure to direct sunlight, extreme temperatures, or high humidity. Handle cables carefully, especially at connection points, as these are common failure points even in premium models.

Are more expensive headphones always better for mixing?

Not necessarily. While premium models generally offer superior technical performance, the "best" headphones are those you understand well and can make confident decisions with. Many professional engineers achieve excellent results with mid-range options like the Sennheiser HD 650 because they've learned to work with their specific characteristics. That said, higher-end models typically offer better detail resolution, more accurate frequency response, and improved comfort—all valuable attributes for professional work.

Conclusion: Finding Your Perfect Mix Partner

After comprehensive testing and years of professional experience with these headphones, I've found that the "best" choice depends heavily on your specific needs, preferences, and budget. Here are my final recommendations for different scenarios:

If budget is no object:

The Sennheiser HD 800 S represents the pinnacle of headphone technology for mixing purposes, offering unmatched soundstage width, detail retrieval, and comfort. Pair them with a high-quality headphone amplifier and you'll have a reference system that rivals many monitor setups in accuracy and exceeds them in detail resolution.

For professional studios and serious mixing engineers:

The Beyerdynamic DT 1990 PRO offers the best balance of performance, durability, and value for daily professional use. Their German engineering, replaceable components, and included analytical/balanced pads make them exceptionally versatile for different mixing scenarios.

For home studios with quality equipment:

The Audio-Technica ATH-R70x provides remarkable accuracy and comfort at a mid-range price point. Their lightweight design makes them ideal for marathon mixing sessions, while their neutral frequency response helps ensure your mixes translate well across playback systems.

For beginners and budget-conscious producers:

The Philips Fidelio X2HR delivers impressive performance at an accessible price point, making them ideal for those establishing their first proper mixing setup. While not as neutral as premium models, they provide sufficient accuracy for effective mixing work while remaining enjoyable for general listening.

For those seeking a unique perspective:

The HIFIMAN Sundara offers a glimpse into the world of planar magnetic technology at a reasonable price point. Their exceptional speed and bass definition provide a different perspective that can complement traditional dynamic driver headphones in a professional setup.

Remember that even the best headphones are tools that require practice and familiarity to use effectively. Whichever model you choose, spend time listening to well-mixed reference material to understand its specific characteristics. With experience, any of these excellent open-back headphones can help you create mixes that translate beautifully across different playback systems.

I hope this guide helps you find your perfect mixing partner! If you have any questions about specific models or how to integrate them into your workflow, feel free to reach out in the comments below.

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